Sunday, June 13, 2010

Paragraph of the Week

A selection of Roger Birnbaum's interview with The New Yorker's editor-in-chief, David Remnick, published in The Morning News:

RB: How much is the New Yorker a barometer, a thermometer, litmus test, measuring stick of cultural developments in the United States? Does the ongoing success of the New Yorker say anything about literacy, book-buying, things like that?

DR: Well, if that were the case than it would defy all [the] dark imaginings of all the prognosticators, because our circulation seems to go up. I have to tell you—one of the good parts about traveling or getting out of the house and the well-worn groove between my apartment and the office, and meeting people at this event or that event, is the number of people who come up and, in a non-routine sort of way, almost with an urgency, tell me how important the magazine is to them. Not me, not any single writer, even the enterprise by itself and its constancy. Not because it’s unfailing or because it’s perfect—that’s too ridiculous to hope for—but because of its ambition. I don’t think we are all alone, by the way. There are a number of magazines I really admire and respect that are quite different from ours. But I remember, one week after getting this job, in the almost absurd way I got it, I had to go to San Francisco, and I was at dinner and some guy came up to me. He had been in the Midwest and lived in San Francisco and he came up to the table where we were having dinner and grabbed my arm in a way that was slightly alarming and his message to me was, “Don’t fuck this up!”

RB: (laughs)

DR: “This magazine has meant something to me since I was 14 or 15 years old.” This guy had to be 50 if he was a day, and so his attachment to it was really important to him. And that happens all the time in one way or another.

Wednesday, June 9, 2010

Have the NBA Finals Truly Begun?

These NBA Playoffs have disappointed me. Sure, there've been moments of greatness. Artest's follow-up. Artest's interview. Los Suns. Westbrook introducing himself to the world. Nash's battered face. But, overall, a lack of competitiveness marked the first three rounds of this tournament. The losing teams just didn't compete, most prominently exemplified by LeBron and his Cavs surrendering to Boston. The Playoffs are meant to avoid the type of mismatches we normally see in a random February contest featuring Utah and New Jersey. They're fun because they offer the highest level of competition, pitting only the really good teams against one another. And we just didn't get that in the first three rounds. The four losing teams in the Conference Semifinals combined for a total of two wins. The average margin of victory for the Orlando Magic in its second round series was 25 points. Neither the games nor the series were all that close.

The NBA Finals--or, at least, the initial three games of them--have suffered from a different problem. It's not so much that the losers have failed to compete as it is that the winners have failed to play their best. Let's take last night's Game 3 as an example. LA managed a pretty good 109 points per 100 possessions, but did it seem as if the team played well? Bad Kobe showed up, shooting 10-29 overall, including 1-7 from three. And it wasn't as if Kobe had good shots rim out. He was taking difficult, difficult shots, many of them out of the flow of the offense. Pau Gasol, one of the premier big men in the NBA, only attempted eleven shots. Seriously, who played well for the Lakers? Fisher and Odom. And Luke Walton? Is good performances from those three really enough to win an NBA Finals game? The same is true for Boston in its Game 2 victory. Ray Allen and Rajon Rondo had historically great games, but no one else really excelled, certainly not Pierce and Garnett.

This series so far seems preliminary. LA looks like it'll pull things off because how often will Ray Allen make eight three-balls in one game? But maybe Boston will win it because there's no way that Allen will fail to make a field goal again. Garnett followed up two awful games with a great one. Kobe and Gasol had each provided their least in Game 3--and LA still won. What will happen if both teams play well in the same game? I have no idea. But here's hoping we get to find out.

Sunday, June 6, 2010

There is No Away

I stumbled across an interesting public art project, located just down the block from my apartment. It's called The Landscape of No Away: A Community Eco-Art Project, with the subtitle "You cannot throw anything away. There is no away," created by Keesje Fischer and Patricia Eakins. The arresting display consists of fake plastic flowers hanging on a fence near the 190th Street A Train station, fake plastic flowers constructed from recycled beverage bottles and other such plastics which, as the artists state, are the least biodegradable materials. Take a look:






I especially like this part of the artists' statement, even if it uses too many dashes:

When a flower, a leaf, or a vine, has been created from objects ordinarily thrown in the trash--a plastic juice or soda bottle, a grocery bag, the plastic shells that encase many objects we buy in a store--the mystery of transformation that is central to art is glossed with playful irony--trash that mimics nature--yet it contains within it the seeds of hope: the least biodegradable materials, like plastic bottles, that persist in the eco-system and smother it, have the potential for change into art that honors the natural world.

Paragraph of the Week

Jonathan Franzen, in the June 6, 2010 New York Times Book Review:

There are any number of reasons you shouldn’t read “The Man Who Loved Children” this summer. It’s a novel, for one thing; and haven’t we all secretly sort of come to an agreement, in the last year or two or three, that novels belonged to the age of newspapers and are going the way of newspapers, only faster? As an old English professor friend of mine likes to say, novels are a curious moral case, in that we feel guilty about not reading more of them but also guilty about doing something as frivolous as reading them; and wouldn’t we all be better off with one less thing in the world to feel guilty about?

Friday, June 4, 2010

Alain de Botton on Distraction

See, I told you unitasking and paying attention and knowledge diets are the new hotnesses. Here's Alain de Botton:

One of the more embarrassing and self-indulgent challenges of our time is the task of relearning how to concentrate. The past decade has seen an unparalleled assault on our capacity to fix our minds steadily on anything. To sit still and think, without succumbing to an anxious reach for a machine, has become almost impossible.

[snip]

The need to diet, which we know so well in relation to food, and which runs so contrary to our natural impulses, should be brought to bear on what we now have to relearn in relation to knowledge, people, and ideas. Our minds, no less than our bodies, require periods of fasting.
The crazy part is that the three posts I've published on this topic in the last ten days are all based on articles that I've come across in my normal reading. I've done nothing to search out this theme. It's just there.

Thursday, June 3, 2010

Wednesday, June 2, 2010

Unitasking is the New Hotness

I don't like stunt journalism. It was interesting for about a minute, and now it's not anymore. I'm talking about those books which detail the author's attempt to do something for, let's say, a year. It could be following Oprah's advice. Living biblically. Living completely rationally. Following George Washington's 110 rules for life. Going undercover as a movie star. The last four of those, in fact, were all attempted by A.J. Jacobs, a writer for Esquire who also happens to have a new book out, titled The Guinea Pig Diaries.

In general, I'm not sure how possible it is to write without having that very process of writing significantly affect the experiences and thoughts being written about. This, I think, is one of the very most important functions of writing. But stunt journalism is different. Instead of clarifying past thoughts and memories after the fact, this type of writing predetermines the actions themselves as--or even before--they happen.

All that is by way of introduction to this piece by Mr. Jacobs, in which he attempts to unitask for a month. I'm not particularly impressed by the article, but, hey, if you're into this type of writing, go for it. Jacobs, if for no other reason than his impressive prolificacy, is the high priest of stunt journalism. I'm writing about it now because once A.J. Jacobs tries to do something for a month, that's a pretty good indication that the activity is one that people are thinking about. And so, get ready to hear a whole lot of simplifying our lives in the next few years. Unitasking is the new hotness.